<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2024 on Dan Bronson — Author, Screenwriter</title><link>https://dan-bronson.com/archives/2024/</link><description>Recent content in 2024 on Dan Bronson — Author, Screenwriter</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sat, 14 Dec 2024 00:00:00 +0000</lastBuildDate><atom:link href="https://dan-bronson.com/archives/2024/index.xml" rel="self" type="application/rss+xml"/><item><title>The Invisible Man</title><link>https://dan-bronson.com/posts/the-invisible-man/</link><pubDate>Sat, 14 Dec 2024 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/the-invisible-man/</guid><description>&lt;p&gt;Last month I had the honor of opening the NoirCon convention of dark mystery writers and fans by introducing and commenting on a screening of &lt;em&gt;Chinatown&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;One of the questions I dealt with was the authorship of this, the greatest of all film noirs. The long-acknowledged writer of the screenplay is, of course, the celebrated Robert Towne. Legendary for his uncredited efforts on &lt;em&gt;Bonnie and Clyde&lt;/em&gt; and &lt;em&gt;The Godfather&lt;/em&gt; and for his authorship of other masterworks like &lt;em&gt;The Last Detail&lt;/em&gt; and &lt;em&gt;Shampoo&lt;/em&gt;, Towne won the Academy Award for Best Writing for his work on &lt;em&gt;Chinatown&lt;/em&gt;, but the story turns out to have been much more complicated than that.&lt;/p&gt;</description></item></channel></rss>