<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2021 on Dan Bronson — Author, Screenwriter</title><link>https://dan-bronson.com/archives/2021/</link><description>Recent content in 2021 on Dan Bronson — Author, Screenwriter</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sat, 08 May 2021 00:00:00 +0000</lastBuildDate><atom:link href="https://dan-bronson.com/archives/2021/index.xml" rel="self" type="application/rss+xml"/><item><title>Betcha Can’t Eat One</title><link>https://dan-bronson.com/posts/betcha-cant-eat-one/</link><pubDate>Sat, 08 May 2021 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/betcha-cant-eat-one/</guid><description>&lt;p&gt;I recently joined Writers of Kern and received a warm welcome from several of its members, among them Carla Joy Martin. Not long afterward, Carla surprised me with a thoughtful, beautifully written review of SOMEONE TO WATCH OVER ME. This, I told myself, is a woman of acute and perceptive mind and extraordinary good taste! Perhaps I should take a look at some of her poetry, so I ordered a copy of A KALEIDOSCOPE OF LOVE, a series of poems that tell the story of a love affair—its explosive beginning, its passionate progression, its painful end.&lt;/p&gt;</description></item><item><title>Hemingway: the God that Failed</title><link>https://dan-bronson.com/posts/hemingway-the-god-that-failed/</link><pubDate>Sun, 25 Apr 2021 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/hemingway-the-god-that-failed/</guid><description>&lt;p&gt;My favorite moment in Sudden Impact, the fourth Dirty Harry Callahan movie, is an angry exchange between Bradford Dillman’s arrogant Captain Briggs and Eastwood’s Dirty Harry…&lt;/p&gt;
&lt;p&gt;“Do you know who I am? Do you know who I am?”&lt;/p&gt;
&lt;p&gt;“Yeah, you’re a legend in your own mind.”&lt;/p&gt;
&lt;p&gt;Ernest Hemingway was a legend in his own time…and, it turns out, in his own mind—a fact well-documented in the recent Ken Burns documentary exploring the gap between the man and the self-created myth. As a teenager growing up in the late fifties and early sixties, I knew nothing of the man behind the mask. I knew only the myth.&lt;/p&gt;</description></item><item><title>The Woman in the Window</title><link>https://dan-bronson.com/posts/the-woman-in-the-window/</link><pubDate>Wed, 21 Apr 2021 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/the-woman-in-the-window/</guid><description>&lt;p&gt;I received an excited call from a friend the other night. “Do you have Netflix? Drop what you’re doing and check out THE WOMAN IN THE WINDOW! It’s pure Hitchcock!”&lt;/p&gt;
&lt;p&gt;Hmmm.&lt;/p&gt;
&lt;p&gt;Based on the best-selling novel by A. J. Finn. Directed by ATONEMENT’s Joe Wright. Starring Amy Adams, Gary Oldman, Julianne Moore, and Jennifer Jason Leigh.&lt;/p&gt;
&lt;p&gt;I thought to myself, this has to be good.&lt;/p&gt;
&lt;p&gt;It turned out I was wrong.&lt;/p&gt;</description></item><item><title>Publishing Today or How I Learned to Stop Worrying and Love Rejection</title><link>https://dan-bronson.com/posts/publishing-today/</link><pubDate>Tue, 13 Apr 2021 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/publishing-today/</guid><description>&lt;p&gt;Return with us now to those thrilling days of yesteryear when…&lt;/p&gt;
&lt;p&gt;…publishers were privately owned and committed to finding and nurturing new talent.&lt;/p&gt;
&lt;p&gt;…the days when aspiring writers could submit unsolicited manuscripts by tossing them through the open transom above a publisher’s office door and get both a reading and a response.&lt;/p&gt;
&lt;p&gt;…the days when publishers often signed writers expecting to lose money on their first two or three books but so believing in their talent that they were willing to take the loss until the reading public discovered them and their work.&lt;/p&gt;</description></item><item><title>The Casting Couch — Then &amp; Now</title><link>https://dan-bronson.com/posts/the-casting-couch-then-now/</link><pubDate>Fri, 05 Mar 2021 00:00:00 +0000</pubDate><guid>https://dan-bronson.com/posts/the-casting-couch-then-now/</guid><description>&lt;p&gt;&lt;em&gt;I thought the best way to introduce something new–this website–might be to begin with something old–a blog I wrote several years ago. It concerns a long-standing Hollywood tradition: the casting couch, a piece of furniture still in use today but one which achieved its peak of popularity in the heyday of the studios. In fact, at that point in time, the couch was, in many ways, the measure of a man–his success, his wealth, his power. It was a mandatory item in the office furnishings of virtually every studio head in TinselTown, and it plays a major role in my upcoming novel, Someone To Watch Over Me, a book that confirms the timeworn but true adage, “The more things change, the more they stay the same.”&lt;/em&gt;&lt;/p&gt;</description></item></channel></rss>